Ashley Tisdale throws a party in her cheating boyfriend's house as seen in a music video for single 'It's Alright, It's OK'. In order to promote her new single, Ashley puts forward a music video for the song, directed by Scott Speer. "The entire concept is obviously my boyfriend cheats on me," Ashley previously said of the concept of the video. "So for revenge, I come back to his house and let a lot of people in, taking pictures with them ... with all these hot guys. The bridge part is me rocking out in the pool, it's a big powerful anthem song. .. It's about 'It's Alright, It's OK', I don't need you in my life." The track is said to be "very empowering for woman just because whatever the guy does, it's alright, it's ok."
IT'S ALRIGHT, IT'S OK
Read User's Comments(0)
JUST BE YOURSELF
B.U. is the fragrance that enhances the excitement of self expression and the freedom to be so different and multiple, according to your moods and desires! 100% fresh, BU perfumes appeal to modern and full of confidence girls who look for unconventional and innovative things in life. “Be yourself” is their motto and it is the modern way of not going by unnoticed. The BU line comes in five different perfumes, each one corresponding to a different mood. You are ready to feel the first “love beats” in your heart, you need to experience them with all your senses and express them in your own way! You wish to keep this original emotion in your memory forever! B.U., your favorite fragrance, accompanies you through this exciting and unique experience. The brand, which is designed to express your moods and desires, enriches its olfactive pallet with the new tempting fragrance “B.U. Heartbeat”: A combination of warmth and sensuality that awakes your emotions and makes you irresistible. B.U. Heartbeat is an oriental fragrance which opens with top notes of bergamot and red fruits, leads to a rose heart and dries down to a base of musk, vanilla and sandalwood. B.U. Heartbeat is the ideal choice for girls who are unconventional, full of confidence, enthusiastic to share their love feelings. They are about to discover their femininity and are ready to enter the world of love and passion.
HORROR OF THE DEMONIC
Horror movies strive to elicit the emotions of fear and terror by involving themes of death and supernatural. All the major studios and many respected directors, starting with Alfred Hitchcock, Roman Polanski, John Carpenter, Sam Raimi or Francis Ford Coppola have made forays into the genre. The early 20th century brought more milestones for the horror genre, including the first monster to appear in a full-lenght horror film - Quasimodo - the hunch back of Notre-Dame who had appeared in Victor Hugo's novel, "Notre-Dame de Paris". The horror-of-the-demonic movie is one of the sub-genres of the horror film that grew out of mid and late 20th Century American culture. As described by Charles Devy, the horror-of-the-demonic film suggested that the world was horrible because of the evil forces that were constantly undermining the quality of existence. These evil forces could remain mere spiritual presences or they could take the shape of demons or devils. From George Melies 1896 film "The Devil's Manor" to more recent productions such as Roman Polanski's "Rosemary's Baby" and "The Ninth Gate", diabolism has been a significant foundation for films which explore religious subject matter. In American movies, Satan has been represented as human, as the creator of the Antichrist, as a beast, as a spirit or abstract figure. The overall debate about Satan and popular ignorance of him allows filmmakers the opportunity to illustrate varying interpretations. Films become a way to investigate the Devil's character. Popular cinema has the ability to fill the void of knowledge about the Devil. In the Bible, Satan plays a minor role, and his personality is not discussed in its text. Although human and beastlike representations were the most common in the Middle Ages, many religionists believed that the Devil was a spirit who could possess humans. The Catholic Church believes most cases of possession are inflicted on the victims by their own doing, either by worshipping Satan or practicing sinful lifestyles. The Church does admit, however, that there have been many documented cases of possession where there has been no fault or blame placed on the afflicted individual. Possession and exorcism themes are certainly prevalent in American movies, the best example being "The Exorcism of Emily Rose". Similarly, by suggesting that in order to create the Antichrist, the Devil must have sex with a woman, Satan is often represented in American cinema as a type of incubus. Naturally, sex with humans can result in offspring.
The critical and popular success of "Rosemary's Baby" directed by Roman Polanski led to the release of more films with occult themes, such as "The Exorcist" and other movies in which the Devil represented the supernatural evil, often by impregnating women or possessing children. The idea of the Antichrist being half-human is explored in movies such as "The Omen" or "Point Pleasant". Invincible to human intervention, Satan became the villain in many horror films with a postmodern style and a dystopian worldview.
STIGMATA
Jesus said : "The Kingdom of God is inside you and all around you, not in mansions of wood and stone. Split a piece of wood and I am there, lift a stone and you will find me".The movie follows the conflict between Frankie - an atheist hairdresser who exibits true stigmata - and Father Andrew Kiernan, a former scientist and a priest who, as part of the Congregation for the Causes of the Saints, investigates miracles for the Vatican. Kiernan soon discovers that the stigmata stems from the spirit of Father Paulo Alameida, who was excommunicated for the discovery of a lost Gospel challenging the very foundations of Catholicism by suggesting that Jesus Christ did not want churches built to workship God. The movie doesn't acctually suggests this; but rather, it suggests that truly believing in your heart and helping others around you is more important than going through the motions of attending a church. Due to this, the film is based on the discovery of the Gospel of Thomas, a document which the Vatican and most other Christians have declared as being the product of heretical Gnostic group.
STARSTRUCK
Take a look at 3OH!3’s “Starstrukk” music video featuring Katy Perry! The video was shot at the Los Angeles County Natural History Museum’s Rose Garden in Expositon Park on September 21. According to director (and Sum 41 drummer) Steve Jocz, the video is loosely based on the movie When in Rome, with a theme of magical coins that spur obsession when they're thrown into a fountain.
COME AS ONE
Zilele trecute, pe YouTube, a avut loc premiera singlelului "Come As One" a solistului David Bryan. Muzica este compusa de Gabriel Baruta iar versurile de Alexandra Ivan. Se pare ca piesa a strans cele mai multe puncte la preselectie, insa juriul a recomandat compozitorului sa schimbe interpretul, deoarece David nu are cetatenie romana. Se pare insa ca nu este nici o problema daca acesta participa ca facand parte din trupa Hotel FM.
BLONDA MARILYN:FRANK SINATRA
Una dintre persoanele in care avea incredere Marilyn in aceasta perioada era Frank Sinatra. Lena Pepitone, camerista lui Marilyn, si-a amintit ca, in timp ce astepta finalizarea divortului cu Joe DiMaggio, Marilyn a locuit in casa lui Sinatra timp de cateva saptamani, pentru a-si recapata echilibrul emotional.(...) Este greu de stabilit cand s-au intalnit pentru prima data Frank si Marilyn. Ea fusese intotdeauna o admiratoare a lui Sinatra.(...) Povestea reala este ca Marilyn era cu un grup de prieteni in New York si s-a hotarat ca vrea sa il asculte cantand pe Sinatra, la Copa.(...) Atunci Marilyn a luat un taxi impreuna cu prietenii sai si s-au dus la clubul de noapte. Deindata ce a vazut-o, conducerea localului a facut tot ce le statea in putinta ca s-o primeasca pe Marilyn impreuna cu prietenii ei. Au adus o masa si i-au facut loc in clubul plin ochi.(...) In aceasta perioada in 1954, Frank Sinatra era nefericit din cauza esecului casniciei cu actrita Eva Gardner, despre care se spune ca era iubirea vietii lui. Acum, cei doi se consolau unul pe altul dupa pierderile suferite de fiecare: Frank se consola dupa despartirea de Ava Gardner, iar Marilyn, dupa cea de Joe DiMaggio. Jim Whiting isi aminteste un lucru comic despre Sinatra. "Aflase ca...stiti voi ce a lui Marilyn se vedea pe sub lenjeria ei, atunci cand a filmat scena din filmul Sapte ani de casnicie, in care ii zbura vantul fusta. Atunci a facut rost de o copie a filmului si a invitat un grup mare de prieteni ai sai ca sa ii vada...stiti voi ce. Am stat cu totii in intuneric si ne-am uitat la film, toti asteptand cu nerabdare scena cu pricina. Pana la urma, rochia incepe sa se ridice si cu totii ne holbam cu gatul intins ca sa vedem mai bine. Rochia e ridicata, e sus de tot...si nimic...nici o stiti voi ce. Nu se vedea!" (...) Dupa ce au inceput sa locuiasca impreuna, atat Frank, cat si Marilyn au recunoscut ca erau in continuare indragostiti de fostii lor soti. De aceea, pentru o perioada, nu s-a intamplat nimic de natura sexuala intre ei. Pur si simplu, erau doua persoane singure. Frank nu era interesat de nimic altceva, chiar daca prietenilor le era greu sa creada ca locuia in acelasi apartament cu cea mai frumoasa si mai dorita vedeta de cinema fara sa aiba relatii intime cu ea. Insa Marilyn nu avea obiceiul sa stea imbracata prin casa. Toti cei care o cunosteau bine stiau ca asa era. Spunea mereu ca se simtea mai bine dezbracata si prietenii si persoanele care lucrau pentru ea se obisnuisera sa o vada "au naturel". Iar in perioada petrecuta in casa lui Frank, aceasta nu si-a schimbat obiceiul.(...) Din punct de vedere sexual, erau un cuplu foarte inovator. De exemplu, dupa spusele prietenilor lui Sinatra, acesta a intretinut intr-o noapte relatii intime cu Marilyn pe acoperisul hotelului Sands, deasupra Las Vegas Strip.(...) In ciuda tuturor problemelor pe care l-a avut cu aceasta, Frank a fost intotdeauna de parere ca Marilyn era inteligenta, sexy si o persoana interesanta. "Frank spunea ca Marilyn era un meteorit", povesteste actrita Esther Williams, "si ca nu se putea abtine sa nu fie fascinat de drumul parcurs de aceasta. Chiar daca stiai ca se va lovi de pamant si va arde, nu stiai cum se vor intampla toate acestea. Insa stiai ca o sa fie o calatorie plina cu peripetii. Singurul motiv pentru care Sinatra nu s-a implicat tare in relatia cu Marilyn a fost, dupa spusele sale, pentru ca inca nu era refacut dupa relatia cu Ava. Era prea curand si oricum nu mai dorea sa se implice din nou intr-o relatie cu o actrita. Isi facuse singur aceasta promisiune." Oricat de bine s-ar fi inteles Marilyn si Frank, tot se mai certau din cand in cand. Odata, aceasta a intrat, fara sa isi dea seama, dezbracata intr-o camera in care Frank juca poker cu niste prieteni. Sinatra s-a infuriat foarte tare. "Misca-ti fundul ala mare inapoi la tine in camera," a certat-o el, care intotdeauna fusese foarte curtenitor. Insa nu putea tine niciodata supararea prea mult. O iubea cu adevarat pe Marilyn, chiar daca nu era indragostit de ea, si ii intelegea slabiciunile. Era in mod evident foarte fragila si delicata, trasaturi pe care acesta nu le aprecia in mod normal la o femeie. Nu le permitea niciodata femeilor sale vulnerabilitati, insa cu Marilyn era altceva. Ea era speciala. Dupa incidentul de la jocul de poker si dupa plecarea prietenilor sai, Sinatra s-a dus la ea in camera si, dupa cum isi va aminti Marilyn mai tarziu:"m-a sarutat pe obraz si m-a facut sa ma simt foarte pretuita. De atunci inainte, m-am aranjat intotdeauna frumos pentru el, chiar daca nu venea cineva la noi in vizita." Perioada petrecuta de Marilyn acasa la Sinatra nu a durat prea mult. Cei doi nu au avut niciodata o relatie romantica, desi se iubeau cu adevarat. Aceasta a plecat destul de repede din apartamentul lui, fiind din nou pe cont propriu. Cam tot in aceasta perioada, in viata ei a intrat un alt potential pretendent, insa nici aceasta relatie nu a avut sorti de izbanda. Este vorba de Hal Schaeffer, profesorul de canto din ultimele filme in care jucase.(...) Cei doi flirtau de multa vreme. Schaeffer, care se pare ca avea la randul lui problemele sale de ordin sentimental, se simtea foarte frustrat cand vedea ca Marilyn nu voia ca lucrurile dintre ei sa evolueze, incercand chiar sa se sinucida.(...) Cand Joe DiMaggio a aflat ca Hal Schaeffer facea parte acum din viata lui Marilyn, pur si simplu nu a putut accepta acest lucru.(...) Timp de cateva saptamani, impreuna cu bunul sau prieten Frank Sinatra, a facut ce fac deseori prietenii buni atunci cand sunt pusi in fata unei pierderi pe plan sentimental: incep sa comploteze impotriva noii relatii.(...) In ziua urmatoare, Frank a dat cateva telefoane si pana la urma i-a fost recomandata o companie numita City Detective and Guard Services. Unul dintre detectivii care lucrau la aceasta companie se numea Joe Dougherty. "Am facut ce am fost platiti sa facem. Am urmarit-o pe Marilyn prin tot orasul asta nenorocit asteptand-o sa se intalneasca cu tipul asta. Ea isi daduse seama ca suntem pe urmele ei si sunt sigur ca s-a enervat din cauza asta, pentru ca, la un moment dat, s-a ciocnit si de un copac pentru ca incerca sa scape de noi. Alta data, a trecut pe rosu si era cat pe-aci sa dea peste o femeie in varsta cu un carucior de cumparaturi. Cand a iesit din masina ca sa isi ceara scuze de la femeia respectiva, am inceput sa ii facem poze, gandindu-ne ca vom avea, cel putin cateva poze bune cu Marilyn pe care sa luam niste bani, la un moment dat. Daca stau sa ma gandesc la toate astea acum, a fost o treaba murdara. I-am pus microfoane in masina. I-am pus si lui microfoane in masina si in apartament. Nu stiu ce relatie era intre ei, dar nu am obtinut nici macar o informatie, cat de mica, pe care sa o poata folosi DiMaggio impotriva ei la divort. In cazul in care cei doi se intalneau, n-am nici o idee unde se intampla asta."(...) Pe 27 octombrie, Marilyn, din nou imbracata in negru, insa cu manusi albe si cu perle, s-a infiintat in fata judecatorului si a povestit detaliat motivele cererii de divort.(...) In sala de judecata, Marilyn a spus ca DiMaggio era o persoana "rece si indiferenta" fata de ea si ca treceau zile intregi fara ca acesta sa schimbe doua vorbe cu ea.(...) Aceasta a continuat, declarand ca stresul generat de casnicia lor a facut-o sa se simta rau, in repetate randuri. Marilyn a povestit ca s-a oferit sa renunte chiar la cariera, dar si asa Joe nu putea fi multumit. Cand era sotul ei prin preajma, ea nu avea voie nici macar sa primeasca musafiri.(...) Joe DiMaggio nu si-a facut aparitia in sala de judecata. Marilyn a primit divortul, iar actele urmau sa fie definitivate intr-un an.
Subscribe to:
Posts (Atom)